class Aws::MediaConvert::Types::ProresSettings

@see docs.aws.amazon.com/goto/WebAPI/mediaconvert-2017-08-29/ProresSettings AWS API Documentation
@return [String]
the field polarity to create a smoother picture.
standard frame rate conversion to 29.97 without doing anything with
When you keep the default value, None (NONE), MediaConvert does a
optionally enable hard telecine (HARD) to create a smoother picture.
(fps) to 29.97 fps, and your output scan type is interlaced, you can
When you do frame rate conversion from 23.976 frames per second
@!attribute [rw] telecine
@return [String]
(framerateDenominator) to 1.
(framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and
Framerate to 25. In your JSON job specification, set
duration of your video. Required settings: You must also set
video. Note that enabling this setting will slightly reduce the
25 fps and resamples your audio to keep it synchronized with the
When you enable slow PAL, MediaConvert relabels the video frames to
frames per second (fps). Enable slow PAL to create a 25 fps output.
Ignore this setting unless your input frame rate is 23.976 or 24
@!attribute [rw] slow_pal
@return [String]
to a value other than Progressive (PROGRESSIVE).
telecine outputs. You must also set Interlace mode (interlaceMode)
(NONE) or Soft (SOFT). You can’t use optimized interlacing for hard
use optimized interlacing, you must set Telecine (telecine) to None
automatically falls back to basic interlacing. Required settings: To
value that isn’t suitable for optimized interlacing, MediaConvert
choose Optimized interlacing and you set your output frame rate to a
rate conversion first and then interlaces the frames. When you
frame rates. With basic interlacing, MediaConvert performs any frame
default value, Basic interlacing (INTERLACED), for all other output
the input corresponds to an interlaced field in the output. Keep the
quality interlaced output. In this case, each progressive frame from
Optimized interlacing (INTERLACED_OPTIMIZE) to create a better
is half of your input frame rate. In this situation, choose
Use this setting for interlaced outputs, when your output frame rate
@!attribute [rw] scan_type_conversion_mode
@return [Integer]
ratio 40:33. In this example, the value for parNumerator is 40.
ratio. For example, for D1/DV NTSC widescreen, you would specify the
different from your input video PAR, provide your output PAR as a
source. When you specify an output pixel aspect ratio (PAR) that is
On the console, this corresponds to any value other than Follow
Required when you set Pixel aspect ratio (parControl) to SPECIFIED.
@!attribute [rw] par_numerator
@return [Integer]
ratio 40:33. In this example, the value for parDenominator is 33.
ratio. For example, for D1/DV NTSC widescreen, you would specify the
different from your input video PAR, provide your output PAR as a
source. When you specify an output pixel aspect ratio (PAR) that is
On the console, this corresponds to any value other than Follow
Required when you set Pixel aspect ratio (parControl) to SPECIFIED.
@!attribute [rw] par_denominator
@return [String]
the parNumerator and parDenominator settings.
choose SPECIFIED for this setting, you must also specify values for
editing the JSON job specification, choose SPECIFIED. When you
value other than Follow source. To specify a different PAR by
your output. To specify a different PAR in the console, choose any
(INITIALIZE_FROM_SOURCE), uses the PAR from your input video for
(PAR) for this output. The default behavior, Follow source
Optional. Specify how the service determines the pixel aspect ratio
@!attribute [rw] par_control
@return [String]
the Follow options you choose.
interlaced with top field bottom field first, depending on which of
the source. If the source is progressive, the output will be
interlaced, the output will be interlaced with the same polarity as
Follow behavior depends on the input scan type. If the source is
output field polarity might change over the course of the output.
polarity as the source. For jobs that have multiple inputs, the
(FOLLOW_BOTTOM_FIELD) to produce outputs with the same field
default top (FOLLOW_TOP_FIELD) or Follow, default bottom
interlaced with the same field polarity throughout. Use Follow,
Bottom field first (BOTTOM_FIELD) to create an output that’s
of the scan type of your input. Use Top field first (TOP_FIELD) or
Progressive (PROGRESSIVE) to create a progressive output, regardless
Choose the scan line type for the output. Keep the default value,
@!attribute [rw] interlace_mode
@return [Integer]
Framerate. In this example, specify 23.976.
use frame rate conversion, provide the value as a decimal number for
FramerateNumerator. When you use the console for transcode jobs that
of this fraction. In this example, use 24000 for the value of
/ 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_numerator
@return [Integer]
a decimal number for Framerate. In this example, specify 23.976.
transcode jobs that use frame rate conversion, provide the value as
value of FramerateDenominator. When you use the console for
denominator of this fraction. In this example, use 1001 for the
/ 1001 = 23.976 fps. Use FramerateDenominator to specify the
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_denominator
@return [String]
add-on cost.
FrameFormer increases the transcoding time and incurs a significant
chooses the best conversion method frame by frame. Note that using
(FRAMEFORMER) to do motion-compensated interpolation. FrameFormer
already been converted from its original cadence, use FrameFormer
complex frame rate conversions, especially if your source video has
picture, but might introduce undesirable video artifacts. For
interpolate (INTERPOLATE) to avoid stutter. This results in a smooth
to 30 fps. For numerically complex conversions, you can use
(DUPLICATE_DROP) for numerically simple conversions, such as 60 fps
or decreasing the frame rate. We recommend using drop duplicate
Choose the method that you want MediaConvert to use when increasing
@!attribute [rw] framerate_conversion_algorithm
@return [String]
in the settings FramerateNumerator and FramerateDenominator.
SPECIFIED if you want the service to use the frame rate you specify
want the service to use the frame rate from the input. Choose
frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you
FramerateControl to specify which value the service uses for the
specification as a JSON file without the console, use
frame rate as a fraction. If you are creating your transcoding job
approximations of fractions. If you choose Custom, specify your
choose Custom. The framerates shown in the dropdown list are decimal
frame rate conversion, choose a frame rate from the dropdown list or
rate as the input video, choose Follow source. If you want to do
the frame rate for this output. If you want to keep the same frame
If you are using the console, use the Framerate setting to specify
@!attribute [rw] framerate_control
@return [String]
codec to use for this output.
Use Profile (ProResCodecProfile) to specify the type of Apple ProRes
@!attribute [rw] codec_profile
@return [String]
(FramerateConversionAlgorithm) to Drop duplicate (DUPLICATE_DROP).
you must set Frame rate conversion algorithm
sampling to Preserve 4:4:4 sampling and use framerate conversion,
Nexguard file marker (PartnerWatermarking). When you set Chroma
4:4:4 sampling, you must disable all video preprocessors except for
(APPLE_PRORES_4444_XQ). When you set Chroma sampling to Preserve
4444 (APPLE_PRORES_4444) or Apple ProRes 4444 XQ
Profile (CodecProfile) support 4:4:4 chroma sampling: Apple ProRes
codec profile that supports 4:4:4 chroma sampling. These values for
4:4:4 sampling (PRESERVE_444_SAMPLING), you must choose an output
sampling. Related Settings: When you set Chroma sampling to Preserve
setting when your output codec profile supports 4:4:4 chroma
to also use 4:4:4 chroma sampling. You must specify a value for this
Preserve 4:4:4 sampling (PRESERVE_444_SAMPLING) to allow outputs
that you create from inputs that use 4:4:4 chroma sampling. Set
This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs
@!attribute [rw] chroma_sampling
}
telecine: “NONE”, # accepts NONE, HARD
slow_pal: “DISABLED”, # accepts DISABLED, ENABLED
scan_type_conversion_mode: “INTERLACED”, # accepts INTERLACED, INTERLACED_OPTIMIZE
par_numerator: 1,
par_denominator: 1,
par_control: “INITIALIZE_FROM_SOURCE”, # accepts INITIALIZE_FROM_SOURCE, SPECIFIED
interlace_mode: “PROGRESSIVE”, # accepts PROGRESSIVE, TOP_FIELD, BOTTOM_FIELD, FOLLOW_TOP_FIELD, FOLLOW_BOTTOM_FIELD
framerate_numerator: 1,
framerate_denominator: 1,
framerate_conversion_algorithm: “DUPLICATE_DROP”, # accepts DUPLICATE_DROP, INTERPOLATE, FRAMEFORMER
framerate_control: “INITIALIZE_FROM_SOURCE”, # accepts INITIALIZE_FROM_SOURCE, SPECIFIED
codec_profile: “APPLE_PRORES_422”, # accepts APPLE_PRORES_422, APPLE_PRORES_422_HQ, APPLE_PRORES_422_LT, APPLE_PRORES_422_PROXY, APPLE_PRORES_4444, APPLE_PRORES_4444_XQ
chroma_sampling: “PRESERVE_444_SAMPLING”, # accepts PRESERVE_444_SAMPLING, SUBSAMPLE_TO_422
{
data as a hash:
@note When making an API call, you may pass ProresSettings
to the value PRORES.
Required when you set (Codec) under (VideoDescription)>(CodecSettings)