class Aws::MediaConvert::Types::AvcIntraSettings

@see docs.aws.amazon.com/goto/WebAPI/mediaconvert-2017-08-29/AvcIntraSettings AWS API Documentation
@return [String]
polarity to create a smoother picture.
rate conversion to 29.97 without doing anything with the field
you keep the default value, None, MediaConvert does a standard frame
optionally enable hard telecine to create a smoother picture. When
(fps) to 29.97 fps, and your output scan type is interlaced, you can
When you do frame rate conversion from 23.976 frames per second
@!attribute [rw] telecine
@return [String]
Framerate to 25.
duration of your video. Required settings: You must also set
video. Note that enabling this setting will slightly reduce the
25 fps and resamples your audio to keep it synchronized with the
When you enable slow PAL, MediaConvert relabels the video frames to
frames per second (fps). Enable slow PAL to create a 25 fps output.
Ignore this setting unless your input frame rate is 23.976 or 24
@!attribute [rw] slow_pal
@return [String]
must also set Interlace mode to a value other than Progressive.
You can’t use optimized interlacing for hard telecine outputs. You
use optimized interlacing, you must set Telecine to None or Soft.
automatically falls back to basic interlacing. Required settings: To
isn’t suitable for optimized interlacing, MediaConvert
interlacing and you set your output frame rate to a value that
and then interlaces the frames. When you choose Optimized
interlacing, MediaConvert performs any frame rate conversion first
interlacing, for all other output frame rates. With basic
an interlaced field in the output. Keep the default value, Basic
In this case, each progressive frame from the input corresponds to
Optimized interlacing to create a better quality interlaced output.
is half of your input frame rate. In this situation, choose
Use this setting for interlaced outputs, when your output frame rate
@!attribute [rw] scan_type_conversion_mode
@return [String]
field first, depending on which of the Follow options you choose.
progressive, the output will be interlaced with top field bottom
interlaced with the same polarity as the source. If the source is
scan type. If the source is interlaced, the output will be
over the course of the output. Follow behavior depends on the input
that have multiple inputs, the output field polarity might change
produce outputs with the same field polarity as the source. For jobs
throughout. Use Follow, default top or Follow, default bottom to
create an output that’s interlaced with the same field polarity
type of your input. Use Top field first or Bottom field first to
Progressive to create a progressive output, regardless of the scan
Choose the scan line type for the output. Keep the default value,
@!attribute [rw] interlace_mode
@return [Integer]
Framerate. In this example, specify 23.976.
use frame rate conversion, provide the value as a decimal number for
FramerateNumerator. When you use the console for transcode jobs that
of this fraction. In this example, use 24000 for the value of
/ 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_numerator
@return [Integer]
a decimal number for Framerate. In this example, specify 23.976.
transcode jobs that use frame rate conversion, provide the value as
value of FramerateDenominator. When you use the console for
denominator of this fraction. In this example, use 1001 for the
/ 1001 = 23.976 fps. Use FramerateDenominator to specify the
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_denominator
@return [String]
least 128x96.
When you choose FrameFormer, your input video resolution must be at
increases the transcoding time and incurs a significant add-on cost.
conversion method frame by frame. Note that using FrameFormer
motion-compensated interpolation. FrameFormer uses the best
converted from its original cadence: Choose FrameFormer to do
conversions, especially if your source video has already been
might introduce undesirable video artifacts. For complex frame rate
stutter: Choose Interpolate. This results in a smooth picture, but
value, Drop duplicate. For numerically complex conversions, to avoid
such as 60 fps to 30 fps: We recommend that you keep the default
or decreasing the frame rate. For numerically simple conversions,
Choose the method that you want MediaConvert to use when increasing
@!attribute [rw] framerate_conversion_algorithm
@return [String]
frame rate as a fraction.
approximations of fractions. If you choose Custom, specify your
choose Custom. The framerates shown in the dropdown list are decimal
frame rate conversion, choose a frame rate from the dropdown list or
rate as the input video, choose Follow source. If you want to do
the frame rate for this output. If you want to keep the same frame
If you are using the console, use the Framerate setting to specify
@!attribute [rw] framerate_control
@return [Types::AvcIntraUhdSettings]
AVC-Intra class to a different value, this object isn’t allowed.
Optional when you set AVC-Intra class to Class 4K/2K. When you set
@!attribute [rw] avc_intra_uhd_settings
@return [String]
4K/2K, MediaConvert supports only 4:2:2 chroma subsampling.
higher bitrates and improved image quality. Note that for Class
frame rate of the output. Outputs with higher class values have
selection determines the output video bit rate depending on the
Specify the AVC-Intra class of your output. The AVC-Intra class
@!attribute [rw] avc_intra_class
.
about 4K/2K in AVC-Intra, see
see ieeexplore.ieee.org/document/7290936. For information
specification. For detailed information about SD and HD in AVC-Intra,
more information about the AVC-Intra settings, see the relevant
Required when you choose AVC-Intra for your output video codec. For