class Aws::MediaConvert::Types::H265Settings

@see docs.aws.amazon.com/goto/WebAPI/mediaconvert-2017-08-29/H265Settings AWS API Documentation
@return [String]
parameter set NAL units directly into the samples.
marking your output as HEV1. For these outputs, the service writes
downstream systems and video players. The service defaults to
choose HVC1, your output video might not work properly with some
headers but not in the samples directly. For MP4 outputs, when you
outputs, the service stores parameter set NAL units in the sample
SC29 N13798 Text ISO/IEC FDIS 14496-15 3rd Edition. For these
your output compliant with the following specification: ISO IECJTC1
(MP4 outputs). Choose HVC1 to mark your output as HVC1. This makes
DASH outputs, or with standalone file outputs in an MPEG-4 container
workflow, ignore this setting. Use this setting only with CMAF or
If the location of parameter set NAL units doesn’t matter in your
@!attribute [rw] write_mp_4_packaging_type
@return [String]
message.
Inserts timecode for each frame as 4 bytes of an unregistered SEI
@!attribute [rw] unregistered_sei_timecode
@return [String]
subdivision of the encoded pictures.
Enable use of tiles, allowing horizontal as well as vertical
@!attribute [rw] tiles
@return [String]
frames (lowest temporal layer) for a half frame rate output.
decode all the frames for full frame rate output or only the I and P
and with b-frames = 1 (i.e. IbPbPb display order), a decoder could
frame rate output. For example, given a bitstream with temporal IDs
optionally decode only the lower temporal layers to generate a lower
non-reference b-frames can form a third layer. Decoders can
form one layer, reference B-frames can form a second layer and
layers are supported depending on GOP structure: I- and P-frames
Enables temporal layer identifiers in the encoded bitstream. Up to 3
@!attribute [rw] temporal_ids
@return [String]
filter with the setting Adaptive quantization.
When you enable temporal quantization, adjust the strength of the
faces, you might choose to disable this feature. Related setting:
have moving objects with sharp edges, such as sports athletes’
to be focusing their attention on a part of the screen that doesn’t
where the viewer’s attention is likely to be. If viewers are likely
quality. Note, though, that this feature doesn’t take into account
matches. Enabling this feature will almost always improve your video
readability of text tickers on newscasts and scoreboards on sports
sharp edges that move a lot. For example, this feature improves the
frame that aren’t moving and uses more bits on complex objects with
enable this feature, the encoder uses fewer bits on areas of the
frame based on temporal variation of content complexity. When you
Keep the default value, Enabled, to adjust quantization within each
@!attribute [rw] temporal_adaptive_quantization
@return [String]
the player converts this output to 29.97i.
produces 29.97i output from 23.976 input. - Soft: produces 23.976;
Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard:
Interlaced Mode field to identify the scan type for the output:
Preprocessors > Deinterlacer field and the Streams > Advanced >
is set to 29.970. This field works with the Streams > Advanced >
This field applies only if the Streams > Advanced > Framerate field
@!attribute [rw] telecine
@return [String]
Higher.
Low. For content with a wider variety of textures, set it to High or
homogeneous content, such as cartoons and video games, set it to
value for Adaptive quantization depending on your content. For
setting: When you enable spatial adaptive quantization, set the
complex texture, you might choose to disable this feature. Related
focusing their attention on a part of the screen with a lot of
viewer’s attention is likely to be. If viewers are likely to be
Note, though, that this feature doesn’t take into account where the
Enabling this feature will almost always improve your video quality.
fewer bits and smooth textured blocks are encoded with more bits.
noticeable. For example, complex textured blocks are encoded with
uses more bits on areas where any small distortion will be
sustain more distortion with no noticeable visual degradation and
enable this feature, the encoder uses fewer bits on areas that can
frame based on spatial variation of content complexity. When you
Keep the default value, Enabled, to adjust quantization within each
@!attribute [rw] spatial_adaptive_quantization
@return [String]
Framerate to 25.
duration of your video. Required settings: You must also set
video. Note that enabling this setting will slightly reduce the
25 fps and resamples your audio to keep it synchronized with the
When you enable slow PAL, MediaConvert relabels the video frames to
frames per second (fps). Enable slow PAL to create a 25 fps output.
Ignore this setting unless your input frame rate is 23.976 or 24
@!attribute [rw] slow_pal
@return [Integer]
equal to half the number of macroblock rows for interlaced pictures.
number of macroblock rows for progressive pictures, and less than or
Number of slices per picture. Must be less than or equal to the
@!attribute [rw] slices
@return [String]
.
information about QVBR, see
detection for further video quality improvement. For more
enabled by default. If this output uses QVBR, choose Transition
service automatically detects. This improves video quality and is
Enable this setting to insert I-frames at scene changes that the
@!attribute [rw] scene_change_detect
@return [String]
must also set Interlace mode to a value other than Progressive.
You can’t use optimized interlacing for hard telecine outputs. You
use optimized interlacing, you must set Telecine to None or Soft.
automatically falls back to basic interlacing. Required settings: To
isn’t suitable for optimized interlacing, MediaConvert
interlacing and you set your output frame rate to a value that
and then interlaces the frames. When you choose Optimized
interlacing, MediaConvert performs any frame rate conversion first
interlacing, for all other output frame rates. With basic
an interlaced field in the output. Keep the default value, Basic
In this case, each progressive frame from the input corresponds to
Optimized interlacing to create a better quality interlaced output.
is half of your input frame rate. In this situation, choose
Use this setting for interlaced outputs, when your output frame rate
@!attribute [rw] scan_type_conversion_mode
@return [String]
dynamically selects best strength based on content
Specify Sample Adaptive Offset (SAO) filter strength. Adaptive mode
@!attribute [rw] sample_adaptive_offset_filter_mode
@return [String]
bitrate (QVBR).
bitrate (VBR), constant bitrate (CBR) or quality-defined variable
Use this setting to specify whether this output has a variable
@!attribute [rw] rate_control_mode
@return [Types::H265QvbrSettings]
control mode.
H.265 codec. Use these settings only when you set QVBR for Rate
Settings for quality-defined variable bitrate encoding with the
@!attribute [rw] qvbr_settings
@return [String]
faster, lower quality, single-pass encoding.
off encoding speed for output video quality. The default behavior is
Optional. Use Quality tuning level to choose how you want to trade
@!attribute [rw] quality_tuning_level
@return [Integer]
ratio 40:33. In this example, the value for parNumerator is 40.
ratio. For example, for D1/DV NTSC widescreen, you would specify the
different from your input video PAR, provide your output PAR as a
When you specify an output pixel aspect ratio (PAR) that is
console, this corresponds to any value other than Follow source.
Required when you set Pixel aspect ratio to SPECIFIED. On the
@!attribute [rw] par_numerator
@return [Integer]
ratio 40:33. In this example, the value for parDenominator is 33.
ratio. For example, for D1/DV NTSC widescreen, you would specify the
different from your input video PAR, provide your output PAR as a
When you specify an output pixel aspect ratio (PAR) that is
console, this corresponds to any value other than Follow source.
Required when you set Pixel aspect ratio to SPECIFIED. On the
@!attribute [rw] par_denominator
@return [String]
parNumerator and parDenominator settings.
SPECIFIED for this setting, you must also specify values for the
PAR, choose any value other than Follow source. When you choose
PAR from your input video for your output. To specify a different
(PAR) for this output. The default behavior, Follow source, uses the
Optional. Specify how the service determines the pixel aspect ratio
@!attribute [rw] par_control
@return [Integer]
requested if using B-frames and/or interlaced encoding.
Number of reference frames to use. The encoder may use more than
@!attribute [rw] number_reference_frames
@return [Integer]
of B-frames between reference frames: Enter an integer from 0 to 7.
characteristics of your input video. To manually specify the number
automatically determines the number of B-frames to use based on the
output. For the best video quality: Leave blank. MediaConvert
Specify the number of B-frames between reference frames in this
@!attribute [rw] number_b_frames_between_reference_frames
@return [Integer]
the usual cadence GOPs.
in place and the GOPs surrounding the scene change are smaller than
I-frame than the value you set, then the encoder leaves all I-frames
When the cadence-driven I-frames are farther from the scene-change
way, one GOP is shrunk slightly and one GOP is stretched slightly.
I-frame, then the encoder skips the cadence-driven I-frame. In this
cadence-driven I-frame would fall within 5 frames of a scene-change
set. For example, if you set Min I interval to 5 and a
determines whether to skip a cadence-driven I-frame by the value you
you explicitly specify a value for this setting, the encoder
automatic behavior, do this by keeping the default empty value. When
based on characteristics of your input video. To enable this
that you have the transcoder automatically choose this value for you
I-frames that it inserts for Scene change detection. We recommend
I-frames that it inserts as part of the I-frame cadence and the
This setting determines how the encoder manages the spacing between
Use this setting only when you also enable Scene change detection.
@!attribute [rw] min_i_interval
@return [Integer]
second as 5000000. Required when Rate control mode is QVBR.
Maximum bitrate in bits/second. For example, enter five megabits per
@!attribute [rw] max_bitrate
@return [String]
field first, depending on which of the Follow options you choose.
progressive, the output will be interlaced with top field bottom
interlaced with the same polarity as the source. If the source is
scan type. If the source is interlaced, the output will be
over the course of the output. Follow behavior depends on the input
that have multiple inputs, the output field polarity might change
produce outputs with the same field polarity as the source. For jobs
throughout. Use Follow, default top or Follow, default bottom to
create an output that’s interlaced with the same field polarity
type of your input. Use Top field first or Bottom field first to
Progressive to create a progressive output, regardless of the scan
Choose the scan line type for the output. Keep the default value,
@!attribute [rw] interlace_mode
@return [Integer]
megabits as 5000000.
Size of buffer (HRD buffer model) in bits. For example, enter five
@!attribute [rw] hrd_buffer_size
@return [Integer]
model).
Percentage of the buffer that should initially be filled (HRD buffer
@!attribute [rw] hrd_buffer_initial_fill_percentage
@return [Integer]
percentage.
to 0 or leave blank to automatically determine the final buffer fill
end of each encoded video segment. For the best video quality: Set
the minimum percentage of the HRD buffer that’s available at the
If your downstream systems have strict buffer requirements: Specify
@!attribute [rw] hrd_buffer_final_fill_percentage
@return [String]
size.
seconds and then provide the GOP length in the related setting GOP
specify the GOP length, choose Specified, frames or Specified,
GOP size blank in each output in your output group. To explicitly
specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave
MediaConvert will use automatic behavior. If your output group
blank. By default, if you don’t specify GOP mode control,
enable this automatic behavior, choose Auto and and leave GOP size
value for you based on characteristics of your input video. To
recommend that you have the transcoder automatically choose this
Specify how the transcoder determines GOP size for this output. We
@!attribute [rw] gop_size_units
@return [Float]
output in your output group.
CMAF, leave GOP size blank and set GOP mode control to Auto in each
mode control to Auto. If your output group specifies HLS, DASH, or
automatically determine GOP size, leave GOP size blank and set GOP
choose for GOP mode control. If you want to allow MediaConvert to
interpret this value as frames or seconds depending on the value you
number of frames or a decimal value of seconds. MediaConvert will
frames or Specified, seconds. Specify the GOP length using a whole
Use this setting only when you set GOP mode control to Specified,
@!attribute [rw] gop_size
@return [Integer]
value to 0.
explicitly specify a value, for segmented outputs, don’t set this
behavior, do this by keeping the default empty value. If you do
characteristics of your input video. To enable this automatic
have the transcoder automatically choose this value for you based on
require a closed GOP, set this value to 5. We recommend that you
output. For example, if you want to allow four open GOPs and then
Specify the relative frequency of open to closed GOPs in this
@!attribute [rw] gop_closed_cadence
@return [String]
B-frames: Choose Disabled.
of your output relative to its bitrate. To not use reference
recommend that you choose Enabled to help improve the video quality
more B-frames: Leave blank or keep the default value Enabled. We
types. To use reference B-frames when your GOP structure has 1 or
Specify whether to allow B-frames to be referenced by other frame
@!attribute [rw] gop_b_reference
@return [Integer]
Framerate. In this example, specify 23.976.
use frame rate conversion, provide the value as a decimal number for
FramerateNumerator. When you use the console for transcode jobs that
of this fraction. In this example, use 24000 for the value of
/ 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_numerator
@return [Integer]
a decimal number for Framerate. In this example, specify 23.976.
transcode jobs that use frame rate conversion, provide the value as
value of FramerateDenominator. When you use the console for
denominator of this fraction. In this example, use 1001 for the
/ 1001 = 23.976 fps. Use FramerateDenominator to specify the
conversion, specify the frame rate as a fraction. For example, 24000
When you use the API for transcode jobs that use frame rate
@!attribute [rw] framerate_denominator
@return [String]
least 128x96.
When you choose FrameFormer, your input video resolution must be at
increases the transcoding time and incurs a significant add-on cost.
conversion method frame by frame. Note that using FrameFormer
motion-compensated interpolation. FrameFormer uses the best
converted from its original cadence: Choose FrameFormer to do
conversions, especially if your source video has already been
might introduce undesirable video artifacts. For complex frame rate
stutter: Choose Interpolate. This results in a smooth picture, but
value, Drop duplicate. For numerically complex conversions, to avoid
such as 60 fps to 30 fps: We recommend that you keep the default
or decreasing the frame rate. For numerically simple conversions,
Choose the method that you want MediaConvert to use when increasing
@!attribute [rw] framerate_conversion_algorithm
@return [String]
If you choose Custom, specify your frame rate as a fraction.
shown in the dropdown list are decimal approximations of fractions.
frame rate from the dropdown list or choose Custom. The framerates
Follow source. If you want to do frame rate conversion, choose a
If you want to keep the same frame rate as the input video, choose
Use the Framerate setting to specify the frame rate for this output.
@!attribute [rw] framerate_control
@return [String]
set adaptiveQuantization to a value other than Off.
Related setting: In addition to enabling this setting, you must also
to smooth out the flicker. This setting is disabled by default.
setting, the encoder updates these macroblocks slightly more often
frame, and then refreshes them at the I-frame. When you enable this
saves bits by copying some macroblocks many times from frame to
pop appears as a visual flicker that can arise when the encoder
Enable this setting to have the encoder reduce I-frame pop. I-frame
@!attribute [rw] flicker_adaptive_quantization
@return [String]
your output will be inserted into another stream.
include end of stream markers: Choose Suppress. This is useful when
markers: Leave blank or keep the default value, Include. To not
that signal the end of the video stream. To include end of stream
Optionally include or suppress markers at the end of your output
@!attribute [rw] end_of_stream_markers
@return [String]
Static.
To use the same number B-frames for all types of content: Choose
by the value that you choose for B-frames between reference frames.
than low-motion content. The maximum number of B- frames is limited
MediaConvert will use fewer B-frames for high-motion video content
high-motion content: Leave blank or keep the default value Adaptive.
improve the subjective video quality of your output that has
structure to vary or not depending on your input video content. To
Specify whether to allow the number of B-frames in your output GOP
@!attribute [rw] dynamic_sub_gop
@return [String]
available with the HEVC 4:2:2 License.
represents Main Profile with High Tier. 4:2:2 profiles are only
Selections are grouped as [Profile] / [Tier], so “Main/High”
Represents the Profile and Tier, per the HEVC (H.265) specification.
@!attribute [rw] codec_profile
@return [String]
H.265 Level.
@!attribute [rw] codec_level
@return [Integer]
down to the nearest multiple of 1000.
CBR. For MS Smooth outputs, bitrates must be unique when rounded
Specify the average bitrate in bits per second. Required for VBR and
@!attribute [rw] bitrate
@return [Types::BandwidthReductionFilter]
reducer preprocessor.
you include Bandwidth reduction filter, you cannot include the Noise
or noisy. Outputs that use this feature incur pro-tier pricing. When
Bandwidth reduction increases further when your input is low quality
other rate control modes relative to the bitrate that you specify.
in quality. Or, use to increase the video quality of outputs with
constant quality QVBR output, with little or no perceptual decrease
output relative to its bitrate. Use to lower the bitrate of your
The Bandwidth reduction filter increases the video quality of your
@!attribute [rw] bandwidth_reduction_filter
@return [String]
Hybrid Log Gamma (HLG) Electro-Optical Transfer Function (EOTF).
Enables Alternate Transfer Function SEI message for outputs using
@!attribute [rw] alternate_transfer_function_sei
@return [String]
your output.
filter. Set Adaptive Quantization to Off to apply no quantization to
Flicker Adaptive Quantization, to further control the quantization
Spatial Adaptive Quantization, Temporal Adaptive Quantization, and
quantization filter. When you do, you can specify a value for
High, Higher, or Max to manually control the strength of the
quality of your output. Set Adaptive Quantization to Low, Medium,
MediaConvert automatically applies quantization to improve the video
When you set Adaptive Quantization to Auto, or leave blank,
@!attribute [rw] adaptive_quantization
Settings for H265 codec